What It Means to Love, Says the Caveman
by Luke Evans
I saw her once, on a Sunday,
in a café on the boulevard past
reflections in the glass of blooming
trees and stop lights. Her hair she'd pulled
into a ponytail and she was laughing,
or sneezing, and holding
out her hand. I lost her
to a reflection of white light.
I saw her again, on a Thursday,
at a concert downtown in a hazy
club as the opening band tested
their Gibsons. I leaned over
the rail to catch
a glimpse in the strobe lights and smoked
shadows of her smooth cheeks pressed
against a shutter blinking
staccato beats like a drum beyond
the brink of pitch.
I saw her again, on a Saturday,
at a park on the river lying
beneath a willow tree on a blanket
with a book folded
in her hands and the camera spying
beside her. Kids splashed on the bank
and she peered over the pages with a smile
not at me. Somewhere a dog barked
and I tilted my head
to the sound. A collie ran free
across the grass and dove
into the water. I turned back
to where she lay, but saw only grass
flattened into pressed slivers
like a fiberglass cast. A little kid's cry
became the downshift of a semi
on the highway beyond the river.
I saw her, then, on the beach,
hugging a frightened, drenched child
tight to her breasts.
The last time I saw her, she was cresting
a knoll with a sack on her back and a wave
in the hip and the hop of her hair.